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Bond, James Bond: Behind the 007 scenes, from Dr. No to the latest release Spectre
“Bond, James Bond.” Since Sean Connery uttered those immortal words in 1962, the most dashing secret agent in the history of cinema has been charming and thrilling audiences worldwide. This impeccably British character created by author Ian Fleming has starred in 24 EON-produced films, played by 6 different actors over five decades.
In collaboration with EON Productions, this trade edition of The James Bond Archives includes all the same stunning imagery and behind-the-scenes knowledge as the original XL book, just with a smaller format and a softer price-tag. The result is an affordable, compact yet comprehensive record of every single Bond film ever made, beginning with Dr. No (1962) and ending with Spectre (2015).
The wealth of on-set photos, unseen stills, set designs, storyboards, production memos, is supplemented by an oral history recounted by over 150 cast and crew members. From producers to stuntmen, directors to production designers, these personal narratives relate the true, inside story from the Bond sets, offering outstanding insight into the personalities and processes behind the most successful and longest-running film franchise in cinema history.
James Bond materials © 1962-2015 Danjaq, LLC and Metro-Goldwyn-Mayer Studios, Inc. All rights reserved.
- Sales Rank: #67395 in Books
- Brand: Taschen
- Published on: 2015-12-10
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.90" w x 13.70" l, 8.51 pounds
- Binding: Hardcover
- 624 pages
About the Author
Paul Duncan has edited 50 film books for TASCHEN, including the award-winning The Ingmar Bergman Archives, and authored Alfred Hitchcock and Stanley Kubrick in the Film Series.
Most helpful customer reviews
13 of 14 people found the following review helpful.
James Bond Archives: Spectre Ed.
By JMM
[[VIDEOID:d890050fa8c9373e16e6bdf62326ab8d]]"The James Bond Archives" is a must-read for fans of the Bond film franchise. This latest edition, edited by Paul Duncan and published by Taschen, is updated and expanded to include new material from the latest film "Spectre".
The book, which contains over 600 pages, does into great detail about each and every bond film to date. In the introduction, it is stated that the editor was given access to more than 100 filing cabinets of production documentation and over one million photos in his effort to compile this book. There have been 24 films over a span of 50+ years, and there is so much information about the films, the stars, and the productions that will be of interest to fans.
The text reads sort of like a journal. The author provides relevant information about each movie in chronological order - this ranges from the earliest notions of the film; to principal photography; to editing and the finishing touches; and of course concluding with the film's release. Also included is dialogue from key creatives on the film - in most cases the director, the producers, as well as members of the cast and crew.
For example, the newest chapter for "Spectre" begins with information about a rights dispute regarding the name SPECTRE and the character Blofeld, before moving on to the the complexities of the production. Main commentary is intercut with pieces from director Sam Mendes, co-star Dave Bautista, and production designer Dennis Gassner, among others.
All of this is enhanced with something like 1,000 images. This includes title designs, photos from on-set/location, concept art, etc. The behind-the-scenes pictures are the most interesting because it gives you a peek behind the curtain of what it's like to make a Bond film. Recently it has become more popular for filmmakers and studios to let fans in on their process, but that wasn't always the case - which makes the photos and information included on some of the earlier films such as "Dr. No" and "Goldfinger" all the more valuable.
Some of the information will be of particular interest to filmmakers (or those interested in the process), because every production has it's ups and downs - and to the author's credit the book doesn't shy away from the many problems encountered. But the book also celebrates that which makes a Bond film unique - the cars, the guns, the girls, the stunts, etc. It's really a fascinating look inside the making of James Bond both old and new; and it is fun to see how the movies and the character change over the decades.
A quality franchise like Bond deserves a great book like this one, and I'm happy to own it.
*Thanks to Taschen for providing me a review copy of the book.
12 of 13 people found the following review helpful.
Know which book you're buying, Spectre Edition cost less for a reason PLEASE read description carefully.
By Rrichard Harris-DeStarr
First off this is a great book, if you are a Bond fan this this is a must own, but if you are a real Bond you'll own Both copies because there are some differences between the two books other than the price $52 for the Spectre Edition and depending where you get the original Edition $130, except for the Spectre information the books have all the same information and all the pages up to that are the same, here's where things change up a bit the Spectre Edition is smaller...quite a bit smaller 10x13 and 8 pounds compared to 12.5x19 and 16 pounds the Original Edition comes with a Brown Cardboard carrying case, The cover material is different the Original Edition has a tight Alligator print compared to a smooth cover and both books the corners and spine are covered in a black canvas, The Original Edition also comes with a 35mm film strip (I got Dr. NO), The one problem I have with both books is they needed to be two volumes and needed a sleeve to keep the book in (there is something about a book when it comes with it own sleeve which helps with presentation). If you have never seen the original then the Spectre Edition is AWESOME because you can't miss what you didn't know about, if you prefer a smaller book, this one handles better I was half way finished with the first book but could only really read it in the living room or my office, this Edition I can read in bed (it's still big and a little heavy) but overall I glad I got it I do plan on keeping bot copies, I hope that they figure out a way to add the next few films without having to reprint the whole book over again
6 of 6 people found the following review helpful.
This is currently my favorite Bond book
By Walter O. Koenig
My rating is five stars for the content of the book, I am a big Bond fan and have many books on Bond and own all the films. This is currently my favorite Bond book. I agree with the reviews of the book regarding its content. I've read the book almost cover to cover and there is so much information I have learned about the making of the films from those involved, Produces, Directors, Actors, Photographers, Stunt Men, etc. I have never seen most of the hundreds of the photographs in the book which was a real treat. It made me watch about a dozen of the films again!
One star rating for the quality of the binding. As a book collector who owns over 3,000 books and about a third of them large books on Art, Architecture and Photography I can tell you that beside content, there are three important aspects to an oversized book: Binding, Print Quality and Paper Quality. This book fails miserably on the quality of the binding as the signatures (groups of pages) are glued into the spine and not sewn. A big no no with a book this heavy and this large and with this many pages. The binding should have been sewn and not glued. Not only that, cheap glue was used that did not adhere to the signatures with the result that the book began to fall apart as I was reading it carefully on a flat surface. The glued binding will not take the stress of being left open. By the time I got to "The Living Daylights" several signatures were already loose. I suspected by the time I would finish the book, they would fall out. There is no way this book will stand up to repeated viewing or reading. Disappointing and not acceptable!
I own about fifty Taschen Art and Architecture Books, among them such heavyweights such as "Diego Rivera: The Complete Murals" and "Joan Blaeu Atlas Maior 1655" which have sewn bindings and which I have perused many times with no problems with the bindings. The James Bond Archive was printed and bound in China and the quality is inferior. I contacted Taschen, informed them of the problem and sent them photos which I have attached to this review. They sent me a return label and a replacement copy so they do stand behind their product, but this took me time to write several emails, pack the book, go to the UPS office, track the shipment, etc. and I was without the book for almost two weeks. The replacement copy does not seem to have this problem (yet) but I am very careful the way I handle the book.
It is my hope that my book was the one bad apple in the barrel, but I want all potential buyers to beware of this potential problem! This is why I gave this a three star rating overall, five stars for content and one star for binding! Also a big hassle having to contact Taschen, packing the book, dropping it off at the UPS Office, tracking the shipment to and from Taschen, etc.
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